Difference between revisions of "Ghat Bhav"
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| − | '''Ghat bhav''' {{Pronounce|guhht bow}} is a style of Kathak dance, but not a toda, poem, or thumri. Ghat is mostly found in Jaipur gharana and not in Lucknow gharana. | + | '''Ghat bhav''' {{Pronounce|guhht bow}} is a style of Kathak dance, but not a [[toda]], poem, or [[thumri]]. Ghat is mostly found in [[Jaipur gharana]] and not in [[Lucknow gharana]]. |
| − | ''Ghat'' means condition or state. ''Ghati'' means speed. A walk in the dance is called | + | ''Ghat'' means condition or state. ''Ghati'' means speed. A walk in the dance is called ghati. It is always performed in [[drut lay]] and there is no [[taal]]. Ghats are accompanied by the tabla and harmonium, but no vocals. |
Ghats are all small, but long, stories. Expressions and hand movements are important because they convey what is happening in the story. Some kinds of ghats are: | Ghats are all small, but long, stories. Expressions and hand movements are important because they convey what is happening in the story. Some kinds of ghats are: | ||
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* nikas ghat: the simplest of of all ghats - just the walk itself | * nikas ghat: the simplest of of all ghats - just the walk itself | ||
* murali ghat | * murali ghat | ||
| − | * ghunghat: Radha | + | * ghunghat: Radha pulling her sari over her face to show modesty |
* paniharighat: girl going to get water (pani means water) | * paniharighat: girl going to get water (pani means water) | ||
* Holighat | * Holighat | ||
| − | * makanjurighat: stealing butter | + | * makanjurighat: Krishna stealing butter |
| − | * matkifodghat: breaking the water pot | + | * matkifodghat: breaking the girl's water pot |
| − | [[Category: | + | [[Category:Kathak]] |
Latest revision as of 20:16, 15 February 2013
Ghat bhav [pronounced guhht bow] is a style of Kathak dance, but not a toda, poem, or thumri. Ghat is mostly found in Jaipur gharana and not in Lucknow gharana.
Ghat means condition or state. Ghati means speed. A walk in the dance is called ghati. It is always performed in drut lay and there is no taal. Ghats are accompanied by the tabla and harmonium, but no vocals.
Ghats are all small, but long, stories. Expressions and hand movements are important because they convey what is happening in the story. Some kinds of ghats are:
- nikas ghat: the simplest of of all ghats - just the walk itself
- murali ghat
- ghunghat: Radha pulling her sari over her face to show modesty
- paniharighat: girl going to get water (pani means water)
- Holighat
- makanjurighat: Krishna stealing butter
- matkifodghat: breaking the girl's water pot
